Showing posts with label Techniques. Show all posts
Showing posts with label Techniques. Show all posts

Wednesday, 21 September 2016

Preliminary Task - Techniques

The preliminary task requires us to include match on action, the 180 degree rule and shot reverse shot

Match on action

Match on action is an editing technique where one shot cuts to another, portraying the action of the subject in the first shot. This technique provides a sense of continuity and creates a "visual bridge".


The 180 degree rule

The 180 degree rule means that all filming takes place within the 180 degrees angle in front of the camera which ensures the background remains the same. This allows the audience
to have a greater sense of location in terms of what may be off camera.
 
Shot Reverse shot
 
This technique is used when filming conversations, filming one character then switching the shot to one of the other character in the duologue. Shot reverse shot often ties in with the 180 degree rule to create continuity in the scene by not distorting the location of characters.
 
 
 
 

Friday, 16 September 2016

Breaking the Fourth Wall

In the past few weeks, I have been watching Phoebe Waller-Bridge's series Fleabag. The programme follows a single woman with heavy focus on her love life but also the relationship with her sister and the death of her bestfriend. Very few of the male characters encountered in the programme are given names but all appear to have a key feature or quirk that defines them. The decision to do so highlights their almost insignificance to the character of Fleabag in comparison to her family or bestfriend. As a comedy, use of these humorous nicknames is one of many ways the programme explores humour. The exploration of breaking the fourth wall, speaking to audience directly at the most unexpected, consequently comedic moments made me feel so much more involved in the story as an audience member. Unlike the programme Miranda which similarly explores the breaking of the fourth wall, Fleabag does not include a live or recorded reaction (clapping and laughing) which I think was a clever decision as it allows the viewer at home to find humour in what they please rather than being encouraged. As well as this, I found it much more personal, witnessing the relationship with her sister and the heavy contrast between the members of her family was something I found I could relate to.



The reference to Fleabag in the lesson today began to make me consider the various explorations of breaking the fourth wall in both film and television. A number of examples in film are Fight Club, Goodfellas and a more recent example is The Big Short. The use of breaking the fourth wall is so heavily different to the intention in Fleabag. The Big Short follows the complicated world of finance so to allow the audience to understand the facts behind the plot, director Adam McKay breaks the fourth wall. One example from the film is Margot Robbie explaining key finance terms.



Thursday, 15 September 2016

Camera shots and angles

Today's lesson was an introduction to the varying types and uses of camera shots, movements and angles. From the brief drawings I made in lesson along with some research, I was then able to find examples of shots and angles from films.

Establishing Shot
The establishing camera shot is one used in the opening scene or the set the location of a new scene. Typically they are wide or extreme wide shots of landscape.


Long Shot
Much like the establishing shot, long shots set a scene but often film the outside of builders or people within a surrounding.

Full shot
This type of shot draws focus to a person within it, without much else going on in the frame.




Mid shot
The camera films from the waist up, the frame contains a more equal proportion of the person in frame and the background.


Close up
Tightly frames a person, seen most frequently in film with close ups of the actors face in focus with little background.


Extreme Close up
A much more zoomed in close up, with the characters face taking up the large majority of the frame.


Very Extreme Close up
The very extreme close up allows the audience to witness intense detail not made evident in other shots. The focus of the shot takes up the entirety of the frame.


When filming conversation between characters, other shots are used. Alongside the Two shot where the majority of both characters is shown and Over the head shot, the two most widely used shots are Over the shoulder and Face to Face.  



In conjunction with these camera shots, directors use varying camera angles. Many shots, such as the ones above, are at eye level.

Low Angle
In this case, the camera is below the individual looking up at them. This angle can be used to represent the point of view of an unseen character or object but also to illustrate status.


High angle
The camera is above the person looking down. Similarly to the low angle, the high angle can illustrate status or another point of view. This particular shot from Moonrise Kingdom is one of my favourites. Wes Anderson's use of colour and abrupt change of shots makes his films so interesting to watch.


Overhead shot
Provides a birds eye view of a scene or scenario.