In keeping with our desired focus on the challenges and overwhelming nature of young life we decided to film in largely built up urban areas. We had two main locations, filming in low light at the blocks of flats and then in the high key daylight on the roof. The busy streets and loud diegetic sound allowed us to further our desire to reflect the panic and often obscurity of the protagonist in the landscape.
However, in deciding to film at low light levels to fulfill our desire for stark contrasts, we had to pay even closer attention to whether everything was clear in frame. As well as this, filming on a road continually disrupted takes but eventually we filmed the entire running sequence.
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